Category: issue six

L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.
L’Esprit was founded in February 2022, the centenary month of the publication of Ulysses. The journal was thus born in celebration of the literary revolution of consciousness represented by High Modernism, and seeks to publish work in that spirit. We look for fearless, inspired, innovative writing that takes risks at the sentence level and immerses itself in the slippery, wondrous underworld of the mind. Interior-focused, charterer-driven, language-first work is core to our aesthetic principles. Think Virginia Woolf—both Mrs. Dalloway and “Modern Fiction”—think James Joyce—both Ulysses and Finnegans Wake—and think Rachel Cusk, Lucy Corin, David Foster Wallace, Renata Adler. We hope to find rich prose and vividly rendered scenes, peopled by psychologically complex characters engaged in authentic, verisimilar stories.